Wednesday, December 1
The Irish Bar
Thursday, November 4
Sunday, October 31
Friends who Move Away
Monday, October 11
A Painting
“Paintings have a life of their own that derives from the painter's soul.” – Vincent Van Gogh
The Singapore Art Museum, famed for its innumerous art displays all round year, is currently holding the art exhibitions of two very well-known artists, Cheong Soo Pieng and Natee Utarit.
Cheong Soo Pieng, Singapore’s very own artist, was a great influence to the modern art in Singapore. His works had progressed through several phases: From post-Impressionist to Cubist to abstract, semi-abstract and more. They showcase his versatility as an artist. The link between his works and his love for travel is portrayed beautifully through his paintings. He was greatly inspired by the culture and art in South East Asia and in Western Europe. His works also displayed a balanced blend of the West and the East. The portrayal of Traditional South-East Asian women, by using bold contrasting colors, is a great example of that. His style of works was termed the ‘Nanyang’ style or the ‘South Seas’ style.
There is a noticeable difference of style and technique in each of his paintings. Even when dealing with two similar themes, his approach to them is what makes his work memorable. He used different mediums, like ink, gouache, pastels, oil paints, batik and so on, on canvas or stone, or Masonite or metal, paper or glass. The most interesting technique and also the most unusual is the use of metal strips (which hard and strong), filled in with colored wax (which was soft). The only common yet often unseen trait of the two mediums is that they both are moldable.
He also often documented his work, which was unusual for the artists of his time. But, this proved to be an important way of ensuring his artistic legacy for future generations.
But alas, with the advancement of art like the introduction of digitally created images, the value of a painting seemed to depreciate somewhere.
Natee Utarit, through his exhibition, is all set to prove this technologically booming world wrong. In a world where paintings seem traditional, and old fashioned, Utarit revives the ‘traditional’ way of story-telling and silent communication, through none other than- Paintings.
Utarit believes that the world of painting is that world, where one actually sees. One is able to see two types of images in one painting. One, being any of the countless possibilities arrived at by perception and interpretation of the viewer. The other image seen is the image of something that links with what the painting refers to in the mind of the artist.
Utarit is able to bring about this dual-image perception through his series of paintings, ‘After Painting’, depicting mainly his love for the photography of the landscape and for his mother. Each painting is extremely realistic, and left me wondering in a kind of curious amazement. While I was thinking of what could have been the idea behind the painting, I was subconsciously linking it to my own memories and experiences. His portrayal of the different landscapes is simply fantastic and made me think of the different places I had visited which left a similar kind of imprint in my head, as it did with Utarit when he made the paintings.
The portrayal of his mother is very heart warming and endearing. It made me drift into two different worlds: One where I was watching Utarit in his younger days spending time with his mother, and the other where I myself was seeing myself doing the same with my mother. There is a very clear imagery shown in the pictures of his mother, which help the viewers to get a glimpse of their bond, and what his mother was a symbol of during his childhood. For instance, the paintings show his mother’s presence everywhere near the then toddler Utarit. It shows the motherly love and concern for her child, and this clear reference set me adrift into my own childhood.
Natee Utarit’s work sure does leave an impact. His work is the kind that one will always remember, because of the bond that the viewer himself makes with the painting. His expression through paintings is one of a kind, and not easily found in today’s times.
Utarit says “It’s what you bring back, instead of passively absorbing.” This feature shown so subtly, and so well in his paintings, is what left me with a smile on my face.
Thursday, August 19
Tale Of Two Cities
Written on the 1st of August 2010, For 29th July 2010
No More Procrastination
Wednesday, August 11
Absence
Tuesday, July 27
Change
Wednesday, July 21
The Ride Back Home
Waiting in the sea of immobile cars, while sitting in the driver’s seat, is not really the best thing to do. I was getting late. I needed to be home. But, the traffic is unbeatable. It’s frustrating. And at that moment, I wished to fly back home.
I’d turned off the engine (Yes, I like to conserve) and repeatedly cursed the traffic. The only sounds I could hear were the sound of my breathing; the soft, spitting rain on my windshield; whish-washing of the wipers that cleared out the water from the transparent screen in front of me; and the constant honking of the vehicles outside the confines of my car.
Suddenly, amidst this madness, I am lost. Completely blank in the head. Empty. Just when I thought that my brain wasn’t functioning anymore, I was proved wrong by my own voice questioning me “What has happened to you?” Did I have an answer? No. Of course I didn’t. I was completely blank. There was no repeated thought that capered about the grey matters of my brain. In fact, there was no thought at all. I was listening intently to the sounds around me and how they all united in an annoyingly calm and quiet cadence. Being sucked out of all thought for these twenty minutes gave me a kind of unexplainable peace.
I suddenly shook awkwardly, as though an unconscious patient rose to consciousness. I realized my comeback when the vehicles had started noisily honking behind me. And when I looked up, I saw that I had given off about ten meters of driving space ahead of me.
Startled, as well as slightly amused with the entire situation, I accelerated the car and waded home through the flooded streets.
All in all, I had been rid of all the weariness, and I was looking forward to a relaxing evening, listening to the Elton John’s tunes whilst lying down on my hammock in the balcony.
Sunday, July 18
The World Outside My Window
Tuesday, July 13
Familiarity
It was a welcoming evening. An evening she had been waiting for. This was one of the few chances that people get to revisit their good old days. She was hoping to meet those, who once upon a time she used to see almost every day for three years in a row. She was excited.
She soon walked into a familiar enclosure with the others in tow. She looked around to see some more familiarity. Not just in the faces, but in the walls, with the peeling cream and beige paint. In the set of staircases, which once had her, and all others present there rushing up and down; to and from; and in between classes. In the curtains, which were changed exactly once a year. In the iron rod railings, with rusted edges. In the red-carpeted little narrow stage, on which lay the rickety choir steps which witnessed a fresh lot of singers each year. Amongst all those voices, she also stood one among the many sopranos. But, all these imperfections didn’t seem to bother her. Instead, today, they gave her a sense of homeliness, a sense of complete perfection. She looked around again and again moving in circles, to take in the sight she had been longing to see. It was after a year, she felt this way. It was after a year she was visiting. It was after a year that the school made her feel what she felt. Her alma mater.
She had been in this little four-storeyed building for merely three years, but it had been enough to give her genuine happiness. It had given her values which she knew she’d always keep. It had given her courage to fight for herself. It had given her true friends, who she knew would stay. It had given her sense and sensibility. It had given her the faith to believe in herself. It had given her the strength to conquer, and to lead. It had given her too much to express. As she recollected her first few days and the last few days in the school, she felt tears well up in her eyes.
Just then one of her juniors came up to her and asked her for some photographs with some friends. Although she fought her tears from flowing and disrupting the photo-session, the smile she smiled was genuine. A kind of smile she smiled after a long time.
She wasn’t really fond of crowds, but the crowd consisting of her batch-mates, her juniors and her seniors comforted her. Even the presence of those-who-had-once-been-friends-but-weren’t-anymore didn’t disturb her. She felt nice about everything there. She interacted with her teachers, who seemed equally happy to meet her. She spoke to them with enthusiasm; obliged some more photo-taking sessions; moved about from one group to another interacting animatedly with a different set of friends and acquaintances each time. She giggled with tears of joy incessantly flowing out of her mascara-smeared dark brown eyes, as she and her friends recalled the lovely times they’d spent there. She was overwhelmed with emotion, and felt herself beaming with a calming sense of happiness. She was all smiles that evening. She was back to Familiarity, and back to School.